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Introduction
Keaton
Chaplin
Film as a Global and Cultural Form; German Film
Hollywood in the 1930s
Hitchcock
The Musical
The Western
American Film in the 1970s
Renoir and Poetic Realism
Italian Neorealism
Truffaut and the New Wave
Kurosawa’s Rashomon
Summary Perspectives: Film as Art and Artifact
This course concentrates on close analysis and criticism of a wide range of films, from the early silent period, classic Hollywood genres including musicals, thrillers and westerns, and European and Japanese art cinema. It explores the work of Griffith, Chaplin, Keaton, Capra, Hawks, Hitchcock, Altman, Renoir, DeSica, and Kurosawa. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship.
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